- #Mbox office mojo michael moore movie
- #Mbox office mojo michael moore pro
- #Mbox office mojo michael moore series
Nobody wants to spend $13 to be depressed and watch montages of Donald Trump’s creepy infatuation with his own daughter and how his presidency compares to the start of Nazi Germany. This might be surprising given that 2018 has seen a number of documentaries do very well at the box office, but perhaps Moore is too heavy for moviegoers right now. His last two movies, Where to Invade Next and Welcome to Trumpland, never went wide but did post much higher average per-screen grosses than Fahrenheit 11/9. Same with Capitalism: A Love Story when it expanded to just under a thousand screens in 2009 (attendance: 584,000).
Yet Sicko did better when it went wide in 2007, still only on 700 screens compared to Fahrenheit 11/9‘s 1700, and saw a bigger crowd (attendance: 523,000). Technically, Fahrenheit 11/9 gave the filmmaker his second-best opening after Fahrenheit 9/11. Moore’s box office success has been up and down over the years, and most of his docs haven’t been wide releases. Especially with mostly positive reviews and an ‘A’ grade via CinemaScore, though certainly the latter was from the preached-to-the-choir fans. Still, it should have done better than its eighth-placing attendance of 321,000. There was no way it was going do as well as its titular predecessor, which had won the top prize at Cannes in 2004 and went on to a top-placing debut attendance of 3.9 million and total domestic ticket sales of 19 million - it’s still far and away the top-grossing regular release documentary of all time (with $222 million worldwide). Michael Moore’s latest, a sort of follow-up to his enormous hit Fahrenheit 9/11, proved to be his least successful effort yet. Less embarrassing was the opening of Fahrenheit 11/9. That’s the worst debut of the year on more than 1,000 screens, according to Exhibitor Relations.
#Mbox office mojo michael moore movie
Coming in 15th place, the Sam Levinson-helmed movie sold just under 111,000 tickets. Without much promotion and despite the fact that its core audience - the Alamo Drafthouse crowd - was likely either at or paying attention to Fantastic Fest (perhaps as was its own distributor). The dark satire was the talk of Sundance back in January (and one of our favorites of the festival), but that buzz didn’t carry forward into its opening, which Neon decided to drop immediately onto 1400 screens. Life Itself debuted in 11th place with around just 226,000 tickets sold, which was the worst attendance for a movie on more than 2500 screens for the whole year - and second worst of all time!Īnother big indie with none of the marketing muscle that Life Itself had, Assassination Nation was another big flop at the box office over the weekend.
#Mbox office mojo michael moore series
Never mind that it’s from the creator of the hit TV series This Is Us, that crowd apparently didn’t want to leave the house for a melodramatic ensemble feature, especially one that had the opposite level of acclaim (however, audiences liked it fine, given its ‘B+’ grade via CinemaScore). Once seen as a possible Oscar contender, the movie ironically was dead on arrival with some of the worst reviews of the year (now it’s a Razzie frontrunner for sure). The biggest of these is Amazon’s Life Itself.
There are a few movies that, while not totally to blame for the poor turnout overall, certainly didn’t help matters by bombing badly. It’s the lowest for its time since 1994 - yes, even right after 9/11 happened in 2001 more people were going to the movies than they were this past weekend. And it’s definitely down from last year, when both Kingsman: The Golden Circle and The Lego Ninjago Movie opened.
That’s worse than any weekends in January or February, the latter of which had previously held the year’s lowest at 10.4 million. This past weekend saw the lowest theater attendance of the year, at a total of only 9.8 million tickets sold for all releases. But otherwise, there isn’t much to celebrate. So, congrats to spooky stories for kids, and maybe that means the upcoming Goosebumps sequel (which I keep confusing with The House…) should also do well.
#Mbox office mojo michael moore pro
That’s about 500,000 more than Box Office Pro predicted last week, which itself was down 200,000 from their initial tracking in July. This past weekend saw the opening of the youth-leaning horror movie The House With a Clock In Its Walls, and the Eli Roth-helmed PG-rated picture did slightly exceed expectations, coming in at number one with about 2.8 million tickets sold. We’re officially into the slow season, as moviegoers recover from the summer, stay home to check out the new fall television offerings, and just plain ignore the latest titles hitting the multiplex.
0 kommentar(er)
